![\"Hot](\"https:\/\/ozartsreviewonline.com\/oz\/wp-content\/uploads\/2019\/02\/Hot6-4-1024x540.jpg\")
Jam-packed with aficionados, many standing as they bobbed\nand swayed to rhythms belted-out by musicians of The Hot 6, it was emphatically evident that this ensemble\nknew very well how to deliver the goods \u2013 and it did so with immense elan. What\nstyle and energy the players brought to their performance. They delivered the\ngoods big time. It was the real thing \u2013 and without a dull moment from go to\nwhoa.. <\/p>\n\n\n\n
From time to time, the players stepped down from the venue\u2019s\ntiny corner-stage and walked in procession about the crowded venue as I\nlistened, fingers in ears, to jazz classics presented at often-dauntingly high\ndecibel levels. Considering how very crowded the venue was, it\u2019s surprising how\nthe ensemble managed its rounds of the room without bumping into anyone,\nespecially Anthony Dodos carrying an immense Sousaphone wrapped around his body\nlike some enormous brass anaconda.<\/p>\n\n\n\n
I particularly liked The Hot 6\u2019s presentation of Sheik of\nAraby. It glowed with splendid tone, not least from Adam Hall\u2019s trumpet, its\nplaying like a golden thread through the evening, It held the attention from first note to last. This\nwas especially so, too, in St James Infirmary Blues, the piece that Louis Armstrong\nmade so famous. And it was certainly in good hands at The Sewing Room. This,\nlike so much on the program, radiated authenticity. <\/p>\n\n\n\n
Throughout the evening, Bronton Ainsworth did wonders on\ndrums. His offering was rhythmically immaculate. <\/p>\n\n\n\n
Let\u2019s Get it On was another great jazzy gem. And Kate Pass,\nin a number of pieces, did well on both trombone and double bass.<\/p>\n\n\n\n
This was a splendidly exhilarating program. <\/p>\n","protected":false},"excerpt":{"rendered":"
New Orleans Hot Jazz The Sewing Room, Wolf Lane reviewed by Neville Cohn If it was jazz, New Orleans style, you were after, then The Sewing Room in the CBD\u2019s Wolf Lane was the place to be. Jam-packed with aficionados,<\/p>\n","protected":false},"author":1,"featured_media":210,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[3],"tags":[],"class_list":["post-209","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-live-performance"],"aioseo_notices":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/ozartsreviewonline.com\/oz\/wp-content\/uploads\/2019\/02\/Hot6-4.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9Yv33-3n","jetpack-related-posts":[{"id":281,"url":"https:\/\/ozartsreviewonline.com\/oz\/the-music-of-disney\/","url_meta":{"origin":209,"position":0},"title":"The Music of Disney","author":"reviewer","date":"February 19, 2020","format":false,"excerpt":"Adam Hall and The Velvet Playboys The Sewing Room, Wolf Lane reviewed by Neville Cohn In a Sewing Room packed to capacity, top trumpeter and vocalist Adam Hall and The Velvet Playboys made magic of a succession of Disney delights. Again and again, members of the audience, clearly familiar with\u2026","rel":"","context":"In "Live Performance"","block_context":{"text":"Live Performance","link":"https:\/\/ozartsreviewonline.com\/oz\/category\/live-performance\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":58,"url":"https:\/\/ozartsreviewonline.com\/oz\/pacifica-quartet\/","url_meta":{"origin":209,"position":1},"title":"Pacifica Quartet","author":"reviewer","date":"June 29, 2017","format":false,"excerpt":"reviewed by Neville Cohn \u00a0 In its original and accurate sense, chamber music, by definition, is intended for performance in a small space \u2013 perhaps, say, in the lounge room of a suburban home or the entrance hall of a mansion or, at most, in a small commercial space. 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This young violinist is still an undergraduate\u2026","rel":"","context":"In "Live Performance"","block_context":{"text":"Live Performance","link":"https:\/\/ozartsreviewonline.com\/oz\/category\/live-performance\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":184,"url":"https:\/\/ozartsreviewonline.com\/oz\/fremantle-chamber-orchestra\/","url_meta":{"origin":209,"position":3},"title":"Fremantle Chamber Orchestra","author":"reviewer","date":"November 4, 2018","format":false,"excerpt":"Mark Coughlan, conductor Government House Ballroom reviewed by Neville Cohn \u00a0 When Felix Mendelssohn wrote the famous overture to A Midsummer Night\u2019s Dream, his unmistakable style was already firmly established. He was a mere 17 years and six months old at the time. 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