{"id":281,"date":"2020-02-19T18:05:09","date_gmt":"2020-02-19T07:05:09","guid":{"rendered":"https:\/\/ozartsreviewonline.com\/oz\/?p=281"},"modified":"2020-02-19T21:56:21","modified_gmt":"2020-02-19T10:56:21","slug":"the-music-of-disney","status":"publish","type":"post","link":"https:\/\/ozartsreviewonline.com\/oz\/the-music-of-disney\/","title":{"rendered":"The Music of Disney"},"content":{"rendered":"\n<p><br> Adam Hall and The Velvet Playboys<br> The Sewing Room, Wolf Lane<br> reviewed by Neville Cohn<\/p>\n\n\n\n<p>In a Sewing Room packed to capacity, top trumpeter and vocalist Adam Hall and The Velvet Playboys made magic of  a succession of Disney delights. Again and again, members of the audience, clearly familiar with this or that song\u2019s every word, silently mouthed the texts as they swayed to the rhythms of these timeless pieces. In decades of concert going, I cannot recall audience participation to such a degree. Led by Adam Hall, a top line-up of musos showed us how it\u2019s done, not least Adrian Galante who, at an electronic keyboard, responded to every nuance of the music with virtuosic fluency and a faultless grasp of style. He\u2019s good on clarinet as well. And Antony Dodos played the trombone as if it had been invented for him.<\/p>\n\n\n\n<p class=\"has-drop-cap\">Laurels aplenty, too, to Kate Pass whose skill on the double bass was yet again admirably in evidence.  Bronton Ainsworth\u2019s percussive mastery on drums, too, was no less satisfying. And Mark Turner was as adroit on saxophone as on guitar. At one point, the players, led by Hall, came down from the stage and, in high style and without missing a beat, did a circuit of the venue to the clear delight of an audience which packed the venue to capacity. I particularly liked the band\u2019s account of It\u2019s a Small World by the Sherman brothers, those tireless composers who, incidentally, wrote more songs for Disney than any other song-writing team. Spoonful of Sugar was a particular delight, yet another golden offering of the Shermans \u2013 and, in the hands of these fine players, Superfragilistic flashed into delightful life \u2013 as did Randy Newman\u2019s If I Didn\u2019t Have You. At times, though, the venue seemed simply too small to cope with the awesome levels of tone generated by the players.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Adam Hall and The Velvet Playboys The Sewing Room, Wolf Lane reviewed by Neville Cohn In a Sewing Room packed to capacity, top trumpeter and vocalist Adam Hall and The Velvet Playboys made magic of a succession of Disney delights.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[3],"tags":[],"class_list":["post-281","post","type-post","status-publish","format-standard","hentry","category-live-performance"],"aioseo_notices":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9Yv33-4x","jetpack-related-posts":[{"id":92,"url":"https:\/\/ozartsreviewonline.com\/oz\/richard-jackson-vocals-adam-hall-trumpet\/","url_meta":{"origin":281,"position":0},"title":"Richard Jackson (vocals), Adam Hall (trumpet)","author":"reviewer","date":"June 10, 2018","format":false,"excerpt":"The Velvet Playboys\/ The Soul Playboys Astor Theatre reviewed by Neville Cohn \u00a0 When, at a concert, a significant number of the audience spontaneously get up and dance, it\u2019s fair to say the musicians have got it right \u2013 and at the Astor Theatre on Friday, that\u2019s an understatement.\u00a0 Adam\u2026","rel":"","context":"In &quot;Live Performance&quot;","block_context":{"text":"Live Performance","link":"https:\/\/ozartsreviewonline.com\/oz\/category\/live-performance\/"},"img":{"alt_text":"Couch","src":"https:\/\/i0.wp.com\/ozartsreviewonline.com\/oz\/wp-content\/uploads\/2018\/06\/Doris-Grace-300x200.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":209,"url":"https:\/\/ozartsreviewonline.com\/oz\/the-hot-6\/","url_meta":{"origin":281,"position":1},"title":"The Hot 6","author":"reviewer","date":"February 14, 2019","format":false,"excerpt":"New Orleans Hot Jazz The Sewing Room, Wolf Lane reviewed by Neville Cohn If it was jazz, New Orleans style, you were after, then The Sewing Room in the CBD\u2019s Wolf Lane was the place to be. Photo: Maree Laffan Jam-packed with aficionados, many standing as they bobbed and swayed\u2026","rel":"","context":"In &quot;Live Performance&quot;","block_context":{"text":"Live Performance","link":"https:\/\/ozartsreviewonline.com\/oz\/category\/live-performance\/"},"img":{"alt_text":"Hot 6","src":"https:\/\/i0.wp.com\/ozartsreviewonline.com\/oz\/wp-content\/uploads\/2019\/02\/Hot6-4.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/ozartsreviewonline.com\/oz\/wp-content\/uploads\/2019\/02\/Hot6-4.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/ozartsreviewonline.com\/oz\/wp-content\/uploads\/2019\/02\/Hot6-4.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/ozartsreviewonline.com\/oz\/wp-content\/uploads\/2019\/02\/Hot6-4.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/ozartsreviewonline.com\/oz\/wp-content\/uploads\/2019\/02\/Hot6-4.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/ozartsreviewonline.com\/oz\/wp-content\/uploads\/2019\/02\/Hot6-4.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":133,"url":"https:\/\/ozartsreviewonline.com\/oz\/concert\/","url_meta":{"origin":281,"position":2},"title":"CONCERT","author":"reviewer","date":"August 23, 2018","format":false,"excerpt":"Perth Symphony Orchestra Perth Town Hall reviewed by Neville Cohn \u00a0 What would most office workers do when it\u2019s time to leave for the day? I imagine some might head for a drink at the nearest watering hole or perhaps do some hurried shopping for dinner before walking to a\u2026","rel":"","context":"In &quot;Live Performance&quot;","block_context":{"text":"Live Performance","link":"https:\/\/ozartsreviewonline.com\/oz\/category\/live-performance\/"},"img":{"alt_text":"Jessica Gethin and PSO","src":"https:\/\/i0.wp.com\/ozartsreviewonline.com\/oz\/wp-content\/uploads\/2018\/08\/Jessica-Gethin-and-PSO-CALM-Concert-300x200.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":32,"url":"https:\/\/ozartsreviewonline.com\/oz\/w-a-symphony-orchestra-2\/","url_meta":{"origin":281,"position":3},"title":"W.A Symphony Orchestra","author":"reviewer","date":"March 25, 2018","format":false,"excerpt":"Perth Concert Hall reviewed by Neville Cohn \u00a0 Aristotle had a poor opinion of the flute. \u201cIt does not have a good moral effect. It is too exciting\u201d. But if, through some miracle of time travel, that ancient philosopher had come along to the Concert Hall, I\u2019d like to think\u2026","rel":"","context":"In &quot;Live Performance&quot;","block_context":{"text":"Live Performance","link":"https:\/\/ozartsreviewonline.com\/oz\/category\/live-performance\/"},"img":{"alt_text":"Flute","src":"https:\/\/i0.wp.com\/newozartsreview.com\/wp-content\/uploads\/2018\/03\/Andrew-Nicholson_Principal-Flute_preview-226x300.jpeg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":199,"url":"https:\/\/ozartsreviewonline.com\/oz\/w-a-symphony-orchestra-8\/","url_meta":{"origin":281,"position":4},"title":"W.A.Symphony Orchestra","author":"reviewer","date":"November 28, 2018","format":false,"excerpt":"Perth Concert Hall reviewed by Neville Cohn Did you know that Grieg\u2019s opus was the very first piano concerto ever recorded? It happened more than a century ago - as far back as 1909. The soloist was a very young Wilhelm Backhaus. It\u2019s a compressed version of the work \u2013\u2026","rel":"","context":"In &quot;Live Performance&quot;","block_context":{"text":"Live Performance","link":"https:\/\/ozartsreviewonline.com\/oz\/category\/live-performance\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":262,"url":"https:\/\/ozartsreviewonline.com\/oz\/w-a-symphony-orchestra-13\/","url_meta":{"origin":281,"position":5},"title":"W.A.Symphony Orchestra","author":"reviewer","date":"May 11, 2019","format":false,"excerpt":"Perth Concert Hall reviewed by Neville Cohn In less than thoroughly capable hands, Elgar\u2019s Symphony No 1 can seem interminable. And over the years, I\u2019ve had the misfortune to suffer through a number of poor performances of this masterpiece. Not so on Thursday morning, though. With a W.A.Symphony Orchestra very\u2026","rel":"","context":"In &quot;Live Performance&quot;","block_context":{"text":"Live Performance","link":"https:\/\/ozartsreviewonline.com\/oz\/category\/live-performance\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/ozartsreviewonline.com\/oz\/wp-content\/uploads\/2019\/05\/Morning-2_Mark-Wigglesworth-032-credit-Sim-Canetty-Clarke-10.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/ozartsreviewonline.com\/oz\/wp-content\/uploads\/2019\/05\/Morning-2_Mark-Wigglesworth-032-credit-Sim-Canetty-Clarke-10.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/ozartsreviewonline.com\/oz\/wp-content\/uploads\/2019\/05\/Morning-2_Mark-Wigglesworth-032-credit-Sim-Canetty-Clarke-10.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/ozartsreviewonline.com\/oz\/wp-content\/uploads\/2019\/05\/Morning-2_Mark-Wigglesworth-032-credit-Sim-Canetty-Clarke-10.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/ozartsreviewonline.com\/oz\/wp-content\/uploads\/2019\/05\/Morning-2_Mark-Wigglesworth-032-credit-Sim-Canetty-Clarke-10.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/ozartsreviewonline.com\/oz\/wp-content\/uploads\/2019\/05\/Morning-2_Mark-Wigglesworth-032-credit-Sim-Canetty-Clarke-10.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/ozartsreviewonline.com\/oz\/wp-json\/wp\/v2\/posts\/281","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ozartsreviewonline.com\/oz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ozartsreviewonline.com\/oz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ozartsreviewonline.com\/oz\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ozartsreviewonline.com\/oz\/wp-json\/wp\/v2\/comments?post=281"}],"version-history":[{"count":0,"href":"https:\/\/ozartsreviewonline.com\/oz\/wp-json\/wp\/v2\/posts\/281\/revisions"}],"wp:attachment":[{"href":"https:\/\/ozartsreviewonline.com\/oz\/wp-json\/wp\/v2\/media?parent=281"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ozartsreviewonline.com\/oz\/wp-json\/wp\/v2\/categories?post=281"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ozartsreviewonline.com\/oz\/wp-json\/wp\/v2\/tags?post=281"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}