{"id":35,"date":"2018-03-25T12:30:20","date_gmt":"2018-03-25T01:30:20","guid":{"rendered":"https:\/\/ozartsreviewonline.com\/oz\/?p=35"},"modified":"2018-06-05T12:36:15","modified_gmt":"2018-06-05T02:36:15","slug":"w-a-symphony","status":"publish","type":"post","link":"https:\/\/ozartsreviewonline.com\/oz\/w-a-symphony\/","title":{"rendered":"W.A. Symphony"},"content":{"rendered":"
\n

Perth Concert Hall<\/p>\n

reviewed by Neville Cohn<\/p>\n

 <\/p>\n

\"Veronika<\/a>There was a near-capacity audience\u00a0 to listen to Veronika Eberle making her WASO debut as soloist in Beethoven\u2019s Violin Concerto. Glamorously gowned in yellow, she played on a Stradivarius violin \u2013 \u00a0known as the \u00a0Dragonetti and dating from 1700 \u2013 on loan from the Nippon Music Foundation.<\/p>\n

Stylistically, Eberle\u2019s playing was impeccable, her skill on the fingerboard beyond criticism. Bowing technique and phrase-shaping were masterly. But\u00a0 listening from a seat at the rear of the front stalls, one sensed a need for rather more carrying tone in the upper reaches of the range, particularly when playing softly and needing to stand out from the accompanying orchestral sound. But this was to a degree compensated for by the delightful, silvery quality of tone that Eberle coaxed from her instrument.<\/p>\n

Defying concert convention, the audience burst into sustained applause at the conclusion of the first movement. This is, of course, contrary to standard practice \u2013 but this was really a very minor departure from the norm when considering that when the Beethoven concerto had its very first ever performance in 1806, the soloist \u2013 Franz Clement \u2013 at the same point in the work entertained the audience by playing one of his own compositions performed on one string of the violin while holding the instrument upside down! \u00a0Compared to that circus-style desecration, the applause that broke out at the same point of the performance on Friday is absolutely pardoned.<\/p>\n

Eberle\u2019s golden-toned account of the lengthy cadenza was impeccable.<\/p>\n

I cannot too highly praise the quality of orchestral accompaniment. It was a joy to the ear, with Asher Fisch coaxing consistently meaningful responses from a WASO in great form. It augurs well for the oncoming concert season. The introduction was informed by an altogether appropriate magisterial quality; it sounded entirely right, so much so that if, by some miracle of time travel, Beethoven could have been present at the performance, I\u2019d like to think he\u2019d have gone backstage afterwards to shake Fisch\u2019s hand and perhaps ask for his autograph. Horns, trumpets and kettle drums were in great form, the musicians consistently on their mettle.<\/p>\n

Incidentally, it\u2019s seventy years since the concerto was first performed by the WASO \u2013 with, as soloist, the unforgettable, magnificent Ginette Neveu.<\/p>\n

There was also a well-attended and fascinating pre-concert talk by Marilyn Phillips in the terrace-level foyer.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Perth Concert Hall reviewed by Neville Cohn   There was a near-capacity audience\u00a0 to listen to Veronika Eberle making her WASO debut as soloist in Beethoven\u2019s Violin Concerto. Glamorously gowned in yellow, she played on a Stradivarius violin \u2013 \u00a0known<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[3],"tags":[32,35,33,10,15,34,9,8],"class_list":["post-35","post","type-post","status-publish","format-standard","hentry","category-live-performance","tag-asher-fisch","tag-beethovens-violin-concerto-veronika-eberle","tag-marilyn-phillips","tag-orchestra","tag-perth","tag-perth-concert-hall","tag-symphony","tag-waso"],"aioseo_notices":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9Yv33-z","jetpack-related-posts":[{"id":133,"url":"https:\/\/ozartsreviewonline.com\/oz\/concert\/","url_meta":{"origin":35,"position":0},"title":"CONCERT","author":"reviewer","date":"August 23, 2018","format":false,"excerpt":"Perth Symphony Orchestra Perth Town Hall reviewed by Neville Cohn \u00a0 What would most office workers do when it\u2019s time to leave for the day? I imagine some might head for a drink at the nearest watering hole or perhaps do some hurried shopping for dinner before walking to a\u2026","rel":"","context":"In "Live Performance"","block_context":{"text":"Live Performance","link":"https:\/\/ozartsreviewonline.com\/oz\/category\/live-performance\/"},"img":{"alt_text":"Jessica Gethin and PSO","src":"https:\/\/i0.wp.com\/ozartsreviewonline.com\/oz\/wp-content\/uploads\/2018\/08\/Jessica-Gethin-and-PSO-CALM-Concert-300x200.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":158,"url":"https:\/\/ozartsreviewonline.com\/oz\/concert-w-a-symphony-orchestra\/","url_meta":{"origin":35,"position":1},"title":"CONCERT W.A.Symphony Orchestra","author":"reviewer","date":"August 31, 2018","format":false,"excerpt":"\u00a0 Perth Concert Hall reviewed by Neville Cohn. \u00a0 Cedric Tiberghien is a highly accomplished pianist. I recall with please his stunningly fine accounts of some of Messiaen\u2019s most complex works at a Perth Festival some years ago. His flawless fingers are up to any challenge \u2013 and this was\u2026","rel":"","context":"In "Live Performance"","block_context":{"text":"Live Performance","link":"https:\/\/ozartsreviewonline.com\/oz\/category\/live-performance\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":42,"url":"https:\/\/ozartsreviewonline.com\/oz\/w-a-symphony-orchestra-4\/","url_meta":{"origin":35,"position":2},"title":"W.A. Symphony Orchestra","author":"reviewer","date":"October 18, 2017","format":false,"excerpt":"Perth Concert Hall reviewed by Neville Cohn \u00a0 Vaughan Williams\u2019 Fifth Symphony is seldom heard in this neck of the woods. Prior to the weekend, its most recent performance here was as far back as 1999 when Vernon Handley presided over events. It\u2019s a very welcome return. In less than\u2026","rel":"","context":"In "Live Performance"","block_context":{"text":"Live Performance","link":"https:\/\/ozartsreviewonline.com\/oz\/category\/live-performance\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/ozartsreviewonline.com\/oz\/wp-content\/uploads\/2018\/06\/concert-814336__340-300x200.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":112,"url":"https:\/\/ozartsreviewonline.com\/oz\/w-a-symphony-orchestra-5\/","url_meta":{"origin":35,"position":3},"title":"W.A.Symphony Orchestra","author":"reviewer","date":"July 4, 2018","format":false,"excerpt":"Perth Concert Hall reviewed by Neville Cohn \u00a0 I have been attending \u2013 and reviewing \u2013 WASO concerts for more than 35 years. During that time, I have experienced some of the most satisfying listening I could have hoped for. And in Mahler\u2019s Fourth Symphony, Asher Fisch and the WASO\u2026","rel":"","context":"In "Live Performance"","block_context":{"text":"Live Performance","link":"https:\/\/ozartsreviewonline.com\/oz\/category\/live-performance\/"},"img":{"alt_text":"Stefanie-Ir\u00e1nyi_Credit_Christian-Debus","src":"https:\/\/i0.wp.com\/ozartsreviewonline.com\/oz\/wp-content\/uploads\/2018\/07\/Masters-4_Stefanie-Ir%C3%A1nyi_Credit_Christian-Debus_V2A2762_2-Mahler5-200x300.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":40,"url":"https:\/\/ozartsreviewonline.com\/oz\/w-a-symphony-orchestra-3\/","url_meta":{"origin":35,"position":4},"title":"W.A. Symphony Orchestra","author":"reviewer","date":"March 25, 2018","format":false,"excerpt":"Perth Concert Hall review by Neville Cohn \u00a0 I was surprised to read in the printed program that the WASO\u2019s performance at the weekend of Beethoven\u2019s Choral Fantasy was the first time it has been played since 1972. Perhaps one of the reasons for this near-half century absence from its\u2026","rel":"","context":"In "Live Performance"","block_context":{"text":"Live Performance","link":"https:\/\/ozartsreviewonline.com\/oz\/category\/live-performance\/"},"img":{"alt_text":"WA Symphony Orchestra","src":"https:\/\/i0.wp.com\/newozartsreview.com\/wp-content\/uploads\/2018\/03\/west-australian-symphony-orchestra-1-1-300x200.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":32,"url":"https:\/\/ozartsreviewonline.com\/oz\/w-a-symphony-orchestra-2\/","url_meta":{"origin":35,"position":5},"title":"W.A Symphony Orchestra","author":"reviewer","date":"March 25, 2018","format":false,"excerpt":"Perth Concert Hall reviewed by Neville Cohn \u00a0 Aristotle had a poor opinion of the flute. \u201cIt does not have a good moral effect. It is too exciting\u201d. But if, through some miracle of time travel, that ancient philosopher had come along to the Concert Hall, I\u2019d like to think\u2026","rel":"","context":"In "Live Performance"","block_context":{"text":"Live Performance","link":"https:\/\/ozartsreviewonline.com\/oz\/category\/live-performance\/"},"img":{"alt_text":"Flute","src":"https:\/\/i0.wp.com\/newozartsreview.com\/wp-content\/uploads\/2018\/03\/Andrew-Nicholson_Principal-Flute_preview-226x300.jpeg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/ozartsreviewonline.com\/oz\/wp-json\/wp\/v2\/posts\/35","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ozartsreviewonline.com\/oz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ozartsreviewonline.com\/oz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ozartsreviewonline.com\/oz\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ozartsreviewonline.com\/oz\/wp-json\/wp\/v2\/comments?post=35"}],"version-history":[{"count":0,"href":"https:\/\/ozartsreviewonline.com\/oz\/wp-json\/wp\/v2\/posts\/35\/revisions"}],"wp:attachment":[{"href":"https:\/\/ozartsreviewonline.com\/oz\/wp-json\/wp\/v2\/media?parent=35"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ozartsreviewonline.com\/oz\/wp-json\/wp\/v2\/categories?post=35"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ozartsreviewonline.com\/oz\/wp-json\/wp\/v2\/tags?post=35"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}