{"id":47,"date":"2017-08-28T13:56:34","date_gmt":"2017-08-28T03:56:34","guid":{"rendered":"https:\/\/ozartsreviewonline.com\/oz\/?p=47"},"modified":"2018-06-05T14:00:53","modified_gmt":"2018-06-05T04:00:53","slug":"all-mozart-compilation","status":"publish","type":"post","link":"https:\/\/ozartsreviewonline.com\/oz\/all-mozart-compilation\/","title":{"rendered":"All-Mozart Compilation"},"content":{"rendered":"
\n

various concerto soloists<\/p>\n

Symphonies 29, 33 & 35<\/h2>\n

Concertgebouworkest<\/h2>\n

Eduard van Beinum, conductor<\/h2>\n

Eloquence 482 5525\u00a0 (2CD)<\/p>\n

TPT: 147\u2019 11\u201d<\/p>\n

reviewed by Neville Cohn<\/h3>\n

 <\/p>\n

\"Mozart<\/a>Not the least of the many good things flowing from this re-issue of Philips LP recordings in the compact disc format is making available to an entirely new constituency of listeners the work of musicians of considerable consequence whose recordings of decades ago, for a variety of reasons, have, as it were, fallen through the cracks. The tireless Cyrus Meher-Homji continues this important work with a 2CD re-issue of an all-Mozart compilation of recordings that thoroughly deserve being brought back to life.<\/p>\n

As a young teenager, I was given an LP recording of Hubert Barwahser playing on the now defunct Philips label. I still have it. Here, Barwahser sounds at his eloquent, articulate best in ensemble with another almost-forgotten soloist: Phia Berghout on harp in the Concerto for flute and harp.\u00a0 Yet another musician richly deserving this resurrection is the formidably gifted English pianist Kathleen Long who in the mid-20th<\/sup>\u00a0century enjoyed a dazzling career.<\/p>\n

This is vintage Long. \u00a0Listen to her playing Mozart\u2019s C minor concerto; it\u2019s a joy from start to finish, blissfully free of fuss or frills.<\/p>\n

Presiding over events from the podium is Eduard van Beinum, a first rate musician to which the players of the Concertgebouw Orchestra would respond time and again to provide some of the most satisfying and meaningful recorded music in mid-century Europe and further abroad.<\/p>\n

Bram de Wilde is a fine soloist in the Clarinet Concerto. Tone quality is particularly appealing in the chalumeau register. The work unfolds near-flawlessly.<\/p>\n

Van Beinum recorded Symphony No 29 in 1957. Sixty years on, it\u2019s as relevant and stylistically meaningful as it would have been when first made available on LP.<\/p>\n

This CD is all the more to be treasured because these works are the ONLY Mozart works which van Beinum recorded with the Concertgebouworkest.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

various concerto soloists Symphonies 29, 33 & 35 Concertgebouworkest Eduard van Beinum, conductor Eloquence 482 5525\u00a0 (2CD) TPT: 147\u2019 11\u201d reviewed by Neville Cohn   Not the least of the many good things flowing from this re-issue of Philips LP<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[55],"tags":[68,18,17,11,67,69,65,19,16,10,15,34,64,66],"class_list":["post-47","post","type-post","status-publish","format-standard","hentry","category-recordings-cds","tag-c-minor","tag-chon","tag-cohn","tag-composer","tag-conertgebouw-orchestra","tag-cyrus-meher-homji","tag-mozart","tag-neville-chon","tag-neville-cohn","tag-orchestra","tag-perth","tag-perth-concert-hall","tag-symphony-no-29","tag-vn-beinum"],"aioseo_notices":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9Yv33-L","jetpack-related-posts":[{"id":52,"url":"https:\/\/ozartsreviewonline.com\/oz\/unheard-mozart\/","url_meta":{"origin":47,"position":0},"title":"Unheard Mozart","author":"reviewer","date":"August 8, 2017","format":false,"excerpt":"Anthony Goldstone (piano) divine art dda25051 TPT: 71\u2019 44\u201d reviewed by Neville Cohn \u00a0 Over the years, as I\u2019ve listened to the recordings of Mozart by Anthony Goldstone, I almost invariably think of the biblical story of Ruth who, following in the wake of \u00a0those harvesting this or that grain,\u2026","rel":"","context":"In "Recordings - CDs"","block_context":{"text":"Recordings - CDs","link":"https:\/\/ozartsreviewonline.com\/oz\/category\/recordings-cds\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/newozartsreview.com\/wp-content\/uploads\/2017\/08\/cover25051-300x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":56,"url":"https:\/\/ozartsreviewonline.com\/oz\/silver-sands-guitar-trio\/","url_meta":{"origin":47,"position":1},"title":"Silver Sands Guitar Trio","author":"reviewer","date":"July 6, 2017","format":false,"excerpt":"Perth Town Hall reviewed by Neville Cohn \u00a0 Outside, it may have been raining with a teeth-chattering-chilly wind as well \u2013 but Perth Town Hall provided a cosy, pleasantly warm environment as we listened to a charm-laden program featuring three classical guitarists of high accomplishment, collectively known as Silver Sands\u2026","rel":"","context":"In "Live Performance"","block_context":{"text":"Live Performance","link":"https:\/\/ozartsreviewonline.com\/oz\/category\/live-performance\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/newozartsreview.com\/wp-content\/uploads\/2017\/07\/Guitarists-300x191.png?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":22,"url":"https:\/\/ozartsreviewonline.com\/oz\/w-a-symphony-orchestra\/","url_meta":{"origin":47,"position":2},"title":"W.A. Symphony Orchestra","author":"reviewer","date":"April 20, 2018","format":false,"excerpt":"Perth Concert Hall reviewed by Neville Cohn On Saturday, Shostakovich\u2019s Festive Overture was informed by a sense of immense gaiety, an ideal way to launch an orchestral program. Brass calls and woodwinds in fine fettle brought the overture to genial, pulsing life. The joie de vivre that lies at its\u2026","rel":"","context":"In "Live Performance"","block_context":{"text":"Live Performance","link":"https:\/\/ozartsreviewonline.com\/oz\/category\/live-performance\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/ozartsreviewonline.com\/oz\/wp-content\/uploads\/2018\/04\/sheet-music-277277__340-300x225.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":42,"url":"https:\/\/ozartsreviewonline.com\/oz\/w-a-symphony-orchestra-4\/","url_meta":{"origin":47,"position":3},"title":"W.A. 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