{"id":56,"date":"2017-07-06T15:16:36","date_gmt":"2017-07-06T05:16:36","guid":{"rendered":"https:\/\/ozartsreviewonline.com\/oz\/?p=56"},"modified":"2018-06-05T15:22:10","modified_gmt":"2018-06-05T05:22:10","slug":"silver-sands-guitar-trio","status":"publish","type":"post","link":"https:\/\/ozartsreviewonline.com\/oz\/silver-sands-guitar-trio\/","title":{"rendered":"Silver Sands Guitar Trio"},"content":{"rendered":"<div class=\"entry-content\">\n<h2>Perth Town Hall<\/h2>\n<h3>reviewed by Neville Cohn<\/h3>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/newozartsreview.com\/2133\/silver-sands-guitar-trio\/guitarists\/\" rel=\"attachment wp-att-2135\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-2135\" src=\"http:\/\/newozartsreview.com\/wp-content\/uploads\/2017\/07\/Guitarists-300x191.png\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" srcset=\"http:\/\/newozartsreview.com\/wp-content\/uploads\/2017\/07\/Guitarists-300x191.png 300w, http:\/\/newozartsreview.com\/wp-content\/uploads\/2017\/07\/Guitarists.png 511w\" alt=\"\" width=\"300\" height=\"191\" \/><\/a><\/p>\n<p>Outside, it may have been raining with a teeth-chattering-chilly wind as well \u2013 but Perth Town Hall provided a cosy, pleasantly warm environment as we listened to a charm-laden program featuring three classical guitarists of high accomplishment, collectively known as Silver Sands Guitar Trio: Jonathan Paget, Craig Lake and Nathan Fischer.<\/p>\n<p>Each of the Silver Sands players is a guitarist of high (and deserved) reputation in a solo capacity. But collectively, they have submerged their individuality to create a new multi-person identity \u2013 and it was in this latter capacity that we listened to a fascinating and intriguing compilation.<\/p>\n<p>Azariah Felton\u2019s Tintinyungu was given its world premiere performance. Its gently flowing, charm-laden measures give way to more assertive moments. I\u2019d like to listen to it again.<\/p>\n<p>The composer points out that the title means \u2018\u2018to challenge or compete with\u201d and the piece shows this by pitting the players against one another \u201cthrough different time signatures and rhythmic groupings\u201d. It\u2019s fascinating fare.<\/p>\n<p>I liked Francis Kleyjans\u2019 Imagerie, Hommage a Debussy, a charming obeisance and clever allusion to Debussy\u2019s unique style. Another delight \u2013 Gnatalli\u2019s Toada from Brazilian Popular Suite in an arrangement by Laurindo Almeida \u2013 has an engagingly danceable \u00a0quality.<\/p>\n<p>Two movements from Suite Retratos provided intriguing listening, too. First movement, entitled Ernesto Nazareth, came across as stylish with a first class blend of tone. Chiquinha Gonzaga is a busy miniature, a bustling delight.<\/p>\n<p>Nigel Westlake\u2019s Shards of Jaisalmer was exquisitely presented, a most attractive composition but needing some judicious pruning; it seemed too long for its material.<\/p>\n<p>A delightfully laidback Rio Rhapsody by Gnatalli arr.Almeida was the afternoon\u2019s curtain raiser: a splendid introduction to the afternoon.<\/p>\n<p>Earlier, we listened to the W.A.Guitar Society Orchestra conducted by Jane Darcey.<\/p>\n<p>Millenium Rag was a pleasant, charmingly lazy, tango-like offering and Darcey\u2019s own River Rocks made for most appealing listening as well.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Perth Town Hall reviewed by Neville Cohn &nbsp; Outside, it may have been raining with a teeth-chattering-chilly wind as well \u2013 but Perth Town Hall provided a cosy, pleasantly warm environment as we listened to a charm-laden program featuring three<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[3],"tags":[91,18,17,88,93,87,89,19,16,15,90,94,86,92,95],"class_list":["post-56","post","type-post","status-publish","format-standard","hentry","category-live-performance","tag-azariah-felton","tag-chon","tag-cohn","tag-craig-lake","tag-gnatallis-toada","tag-jonathan-paget","tag-nathan-fischer","tag-neville-chon","tag-neville-cohn","tag-perth","tag-perth-town-hall","tag-shards-of-jaisalmer","tag-silver-sands-guitar-trio","tag-tintinyungu","tag-w-a-guitar-society-orchestra"],"aioseo_notices":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9Yv33-U","jetpack-related-posts":[{"id":37,"url":"https:\/\/ozartsreviewonline.com\/oz\/sabine-meyer-clarinet\/","url_meta":{"origin":56,"position":0},"title":"Sabine Meyer (clarinet)","author":"reviewer","date":"March 25, 2018","format":false,"excerpt":"Alliage Quintet Perth Concert Hall reviewed by Neville Cohn It was an evening of pure delight with six players, each at the very top of their game, delivering the sort of musical magic critics long for but so rarely encounter in reality. For Perth audiences, the stand-out name would have\u2026","rel":"","context":"In &quot;Live Performance&quot;","block_context":{"text":"Live Performance","link":"https:\/\/ozartsreviewonline.com\/oz\/category\/live-performance\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/ozartsreviewonline.com\/oz\/wp-content\/uploads\/2018\/06\/23-Sabine-Meyer-0607-by-Thomas-Rabsch-EMI-Classics-300x300.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":42,"url":"https:\/\/ozartsreviewonline.com\/oz\/w-a-symphony-orchestra-4\/","url_meta":{"origin":56,"position":1},"title":"W.A. Symphony Orchestra","author":"reviewer","date":"October 18, 2017","format":false,"excerpt":"Perth Concert Hall reviewed by Neville Cohn \u00a0 Vaughan Williams\u2019 Fifth Symphony is seldom heard in this neck of the woods. Prior to the weekend, its most recent performance here was as far back as 1999 when Vernon Handley presided over events. It\u2019s a very welcome return. In less than\u2026","rel":"","context":"In &quot;Live Performance&quot;","block_context":{"text":"Live Performance","link":"https:\/\/ozartsreviewonline.com\/oz\/category\/live-performance\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/ozartsreviewonline.com\/oz\/wp-content\/uploads\/2018\/06\/concert-814336__340-300x200.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":22,"url":"https:\/\/ozartsreviewonline.com\/oz\/w-a-symphony-orchestra\/","url_meta":{"origin":56,"position":2},"title":"W.A. Symphony Orchestra","author":"reviewer","date":"April 20, 2018","format":false,"excerpt":"Perth Concert Hall reviewed by Neville Cohn On Saturday, Shostakovich\u2019s Festive Overture was informed by a sense of immense gaiety, an ideal way to launch an orchestral program. Brass calls and woodwinds in fine fettle brought the overture to genial, pulsing life. The joie de vivre that lies at its\u2026","rel":"","context":"In &quot;Live Performance&quot;","block_context":{"text":"Live Performance","link":"https:\/\/ozartsreviewonline.com\/oz\/category\/live-performance\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/ozartsreviewonline.com\/oz\/wp-content\/uploads\/2018\/04\/sheet-music-277277__340-300x225.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":32,"url":"https:\/\/ozartsreviewonline.com\/oz\/w-a-symphony-orchestra-2\/","url_meta":{"origin":56,"position":3},"title":"W.A Symphony Orchestra","author":"reviewer","date":"March 25, 2018","format":false,"excerpt":"Perth Concert Hall reviewed by Neville Cohn \u00a0 Aristotle had a poor opinion of the flute. \u201cIt does not have a good moral effect. It is too exciting\u201d. But if, through some miracle of time travel, that ancient philosopher had come along to the Concert Hall, I\u2019d like to think\u2026","rel":"","context":"In &quot;Live Performance&quot;","block_context":{"text":"Live Performance","link":"https:\/\/ozartsreviewonline.com\/oz\/category\/live-performance\/"},"img":{"alt_text":"Flute","src":"https:\/\/i0.wp.com\/newozartsreview.com\/wp-content\/uploads\/2018\/03\/Andrew-Nicholson_Principal-Flute_preview-226x300.jpeg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":133,"url":"https:\/\/ozartsreviewonline.com\/oz\/concert\/","url_meta":{"origin":56,"position":4},"title":"CONCERT","author":"reviewer","date":"August 23, 2018","format":false,"excerpt":"Perth Symphony Orchestra Perth Town Hall reviewed by Neville Cohn \u00a0 What would most office workers do when it\u2019s time to leave for the day? I imagine some might head for a drink at the nearest watering hole or perhaps do some hurried shopping for dinner before walking to a\u2026","rel":"","context":"In &quot;Live Performance&quot;","block_context":{"text":"Live Performance","link":"https:\/\/ozartsreviewonline.com\/oz\/category\/live-performance\/"},"img":{"alt_text":"Jessica Gethin and PSO","src":"https:\/\/i0.wp.com\/ozartsreviewonline.com\/oz\/wp-content\/uploads\/2018\/08\/Jessica-Gethin-and-PSO-CALM-Concert-300x200.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":47,"url":"https:\/\/ozartsreviewonline.com\/oz\/all-mozart-compilation\/","url_meta":{"origin":56,"position":5},"title":"All-Mozart Compilation","author":"reviewer","date":"August 28, 2017","format":false,"excerpt":"various concerto soloists Symphonies 29, 33 & 35 Concertgebouworkest Eduard van Beinum, conductor Eloquence 482 5525\u00a0 (2CD) TPT: 147\u2019 11\u201d reviewed by Neville Cohn \u00a0 Not the least of the many good things flowing from this re-issue of Philips LP recordings in the compact disc format is making available to\u2026","rel":"","context":"In &quot;Recordings - CDs&quot;","block_context":{"text":"Recordings - CDs","link":"https:\/\/ozartsreviewonline.com\/oz\/category\/recordings-cds\/"},"img":{"alt_text":"Mozart CD Cover","src":"https:\/\/i0.wp.com\/newozartsreview.com\/wp-content\/uploads\/2017\/08\/4825525_MozartSymphonies_Concertos_Beinum_master-300x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/ozartsreviewonline.com\/oz\/wp-json\/wp\/v2\/posts\/56","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ozartsreviewonline.com\/oz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ozartsreviewonline.com\/oz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ozartsreviewonline.com\/oz\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ozartsreviewonline.com\/oz\/wp-json\/wp\/v2\/comments?post=56"}],"version-history":[{"count":0,"href":"https:\/\/ozartsreviewonline.com\/oz\/wp-json\/wp\/v2\/posts\/56\/revisions"}],"wp:attachment":[{"href":"https:\/\/ozartsreviewonline.com\/oz\/wp-json\/wp\/v2\/media?parent=56"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ozartsreviewonline.com\/oz\/wp-json\/wp\/v2\/categories?post=56"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ozartsreviewonline.com\/oz\/wp-json\/wp\/v2\/tags?post=56"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}