{"id":65,"date":"2017-05-31T11:26:25","date_gmt":"2017-05-31T01:26:25","guid":{"rendered":"https:\/\/ozartsreviewonline.com\/oz\/?p=65"},"modified":"2018-06-06T11:29:37","modified_gmt":"2018-06-06T01:29:37","slug":"songs-without-words","status":"publish","type":"post","link":"https:\/\/ozartsreviewonline.com\/oz\/songs-without-words\/","title":{"rendered":"Songs without Words"},"content":{"rendered":"<div class=\"entry-content\">\n<h2>Slava Grigoryan &amp; Leonard Grigoryan (guitars)<\/h2>\n<p>ABC Classics CD 481 5101<\/p>\n<p>TPT: 53\u2019 34\u201d<\/p>\n<h3>reviewed by Neville Cohn<\/h3>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/newozartsreview.com\/2107\/songs-without-words\/481-5101-grigoryan-brothers-songs-without-words\/\" rel=\"attachment wp-att-2111\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-2111\" src=\"http:\/\/newozartsreview.com\/wp-content\/uploads\/2017\/05\/481-5101-Grigoryan-Brothers-Songs-Without-Words-300x267.jpg\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" srcset=\"http:\/\/newozartsreview.com\/wp-content\/uploads\/2017\/05\/481-5101-Grigoryan-Brothers-Songs-Without-Words-300x267.jpg 300w, http:\/\/newozartsreview.com\/wp-content\/uploads\/2017\/05\/481-5101-Grigoryan-Brothers-Songs-Without-Words-768x684.jpg 768w, http:\/\/newozartsreview.com\/wp-content\/uploads\/2017\/05\/481-5101-Grigoryan-Brothers-Songs-Without-Words-1024x913.jpg 1024w, http:\/\/newozartsreview.com\/wp-content\/uploads\/2017\/05\/481-5101-Grigoryan-Brothers-Songs-Without-Words-624x556.jpg 624w\" alt=\"Grigoryan Brothers - Songs Without Words\" width=\"300\" height=\"267\" \/><\/a>If ever you\u2019ve come home after a really tough day at the office, perhaps an accidental wiping of a crucial report that cannot be retrieved and\/or encountering a maddening traffic jam on the way home \u2013 what might one do?.<\/p>\n<p>A few soothing gins and tonic or something a bit stronger might be just what\u2019s needed to soothe frazzled nerves \u2013 but there\u2019s another, frankly better, \u00a0way to chill out (without any risk at all of a hangover): put the Grigoryan brothers\u2019 newest CD on \u2013 and relax to a joint effort that\u2019ll work its magic in mere moments.<\/p>\n<p>Seventeen tracks enshrine some of the world\u2019s most loved melodies.<\/p>\n<p>Take your pick: Rachmaninov\u2019s Vocalise, Elgar\u2019s Chanson de matin (a charmladen delight) and a Seguidilla, the bracing urgency of which rivets the attention. It\u2019s from an arrangement for two guitars of the full set of de Falla\u2019s Seven Spanish Folk Songs.<\/p>\n<p>I particularly like the gently lulling quality of Nana which, Falla has pointed out, was a song his mother used to sing to him when very young.\u00a0 These delights are given near-flawless treatment, not least the first of the set: The Moorish Cloth. It\u2019s beautifully negotiated with its crisp rhythmic underpinning. There\u2019s a lively, lovely account of the Jota, its rhythms irresistible \u2013 and the Cancion is finely considered. \u00a0The very challenging Polo needs a greater sense of urgency, though.<\/p>\n<p>The brothers\u2019 account of Tchaikowsky\u2019s None but the Lonely Heart would surely charm even the grumpiest bird from a twig \u2013 and there\u2019s an exquisitely languid account of Ponce\u2019s Little Star.<\/p>\n<p>There are sure to be tracks which listeners will happily play over and over \u00a0\u2013 and over \u2013 again. Don\u2019t take my word for it. Get yourself a copy \u2013 and feel those nerve knots relaxing.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Slava Grigoryan &amp; Leonard Grigoryan (guitars) ABC Classics CD 481 5101 TPT: 53\u2019 34\u201d reviewed by Neville Cohn &nbsp; If ever you\u2019ve come home after a really tough day at the office, perhaps an accidental wiping of a crucial report<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[55],"tags":[18,17,107,108,109,19,16,15,106,62],"class_list":["post-65","post","type-post","status-publish","format-standard","hentry","category-recordings-cds","tag-chon","tag-cohn","tag-grigoryan-brothers","tag-guitar","tag-guitars","tag-neville-chon","tag-neville-cohn","tag-perth","tag-tchaikowsky","tag-western-australia"],"aioseo_notices":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9Yv33-13","jetpack-related-posts":[{"id":181,"url":"https:\/\/ozartsreviewonline.com\/oz\/royal-schools-music-club\/","url_meta":{"origin":65,"position":0},"title":"Royal Schools Music Club","author":"reviewer","date":"October 30, 2018","format":false,"excerpt":"Fiddling with Castanets: Deanna Blacher (castanets)\/ Neville Cohn (piano) Callaway Auditorium reviewed by John Meyer \u00a0 \u00a0 Following on from their very successful concert last year, Deanna Blacher and Neville Cohn again combined their remarkable talents in an entertaining October recital entitled Fiddling with Castanets.\u00a0 The programme consisted of piano\u2026","rel":"","context":"In &quot;Live Performance&quot;","block_context":{"text":"Live Performance","link":"https:\/\/ozartsreviewonline.com\/oz\/category\/live-performance\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/ozartsreviewonline.com\/oz\/wp-content\/uploads\/2018\/10\/Low-Res_MareeLaffanPhoto_UWA-Recital_2018-10-14-34-300x255.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":58,"url":"https:\/\/ozartsreviewonline.com\/oz\/pacifica-quartet\/","url_meta":{"origin":65,"position":1},"title":"Pacifica Quartet","author":"reviewer","date":"June 29, 2017","format":false,"excerpt":"reviewed by Neville Cohn \u00a0 In its original and accurate sense, chamber music, by definition, is intended for performance in a small space \u2013 perhaps, say, in the lounge room of a suburban home or the entrance hall of a mansion or, at most, in a small commercial space. Intimacy\u2026","rel":"","context":"In &quot;Live Performance&quot;","block_context":{"text":"Live Performance","link":"https:\/\/ozartsreviewonline.com\/oz\/category\/live-performance\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/newozartsreview.com\/wp-content\/uploads\/2017\/06\/Musica-VIVA-57sm-300x119.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":22,"url":"https:\/\/ozartsreviewonline.com\/oz\/w-a-symphony-orchestra\/","url_meta":{"origin":65,"position":2},"title":"W.A. Symphony Orchestra","author":"reviewer","date":"April 20, 2018","format":false,"excerpt":"Perth Concert Hall reviewed by Neville Cohn On Saturday, Shostakovich\u2019s Festive Overture was informed by a sense of immense gaiety, an ideal way to launch an orchestral program. Brass calls and woodwinds in fine fettle brought the overture to genial, pulsing life. The joie de vivre that lies at its\u2026","rel":"","context":"In &quot;Live Performance&quot;","block_context":{"text":"Live Performance","link":"https:\/\/ozartsreviewonline.com\/oz\/category\/live-performance\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/ozartsreviewonline.com\/oz\/wp-content\/uploads\/2018\/04\/sheet-music-277277__340-300x225.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":52,"url":"https:\/\/ozartsreviewonline.com\/oz\/unheard-mozart\/","url_meta":{"origin":65,"position":3},"title":"Unheard Mozart","author":"reviewer","date":"August 8, 2017","format":false,"excerpt":"Anthony Goldstone (piano) divine art dda25051 TPT: 71\u2019 44\u201d reviewed by Neville Cohn \u00a0 Over the years, as I\u2019ve listened to the recordings of Mozart by Anthony Goldstone, I almost invariably think of the biblical story of Ruth who, following in the wake of \u00a0those harvesting this or that grain,\u2026","rel":"","context":"In &quot;Recordings - CDs&quot;","block_context":{"text":"Recordings - CDs","link":"https:\/\/ozartsreviewonline.com\/oz\/category\/recordings-cds\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/newozartsreview.com\/wp-content\/uploads\/2017\/08\/cover25051-300x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":47,"url":"https:\/\/ozartsreviewonline.com\/oz\/all-mozart-compilation\/","url_meta":{"origin":65,"position":4},"title":"All-Mozart Compilation","author":"reviewer","date":"August 28, 2017","format":false,"excerpt":"various concerto soloists Symphonies 29, 33 & 35 Concertgebouworkest Eduard van Beinum, conductor Eloquence 482 5525\u00a0 (2CD) TPT: 147\u2019 11\u201d reviewed by Neville Cohn \u00a0 Not the least of the many good things flowing from this re-issue of Philips LP recordings in the compact disc format is making available to\u2026","rel":"","context":"In &quot;Recordings - CDs&quot;","block_context":{"text":"Recordings - CDs","link":"https:\/\/ozartsreviewonline.com\/oz\/category\/recordings-cds\/"},"img":{"alt_text":"Mozart CD Cover","src":"https:\/\/i0.wp.com\/newozartsreview.com\/wp-content\/uploads\/2017\/08\/4825525_MozartSymphonies_Concertos_Beinum_master-300x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":56,"url":"https:\/\/ozartsreviewonline.com\/oz\/silver-sands-guitar-trio\/","url_meta":{"origin":65,"position":5},"title":"Silver Sands Guitar Trio","author":"reviewer","date":"July 6, 2017","format":false,"excerpt":"Perth Town Hall reviewed by Neville Cohn \u00a0 Outside, it may have been raining with a teeth-chattering-chilly wind as well \u2013 but Perth Town Hall provided a cosy, pleasantly warm environment as we listened to a charm-laden program featuring three classical guitarists of high accomplishment, collectively known as Silver Sands\u2026","rel":"","context":"In &quot;Live Performance&quot;","block_context":{"text":"Live Performance","link":"https:\/\/ozartsreviewonline.com\/oz\/category\/live-performance\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/newozartsreview.com\/wp-content\/uploads\/2017\/07\/Guitarists-300x191.png?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/ozartsreviewonline.com\/oz\/wp-json\/wp\/v2\/posts\/65","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ozartsreviewonline.com\/oz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ozartsreviewonline.com\/oz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ozartsreviewonline.com\/oz\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ozartsreviewonline.com\/oz\/wp-json\/wp\/v2\/comments?post=65"}],"version-history":[{"count":0,"href":"https:\/\/ozartsreviewonline.com\/oz\/wp-json\/wp\/v2\/posts\/65\/revisions"}],"wp:attachment":[{"href":"https:\/\/ozartsreviewonline.com\/oz\/wp-json\/wp\/v2\/media?parent=65"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ozartsreviewonline.com\/oz\/wp-json\/wp\/v2\/categories?post=65"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ozartsreviewonline.com\/oz\/wp-json\/wp\/v2\/tags?post=65"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}